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This book provides a comprehensive introduction to the subject of acoustics, including the principles of human perception of sound, sometimes called psychoacoustics. Acoustics and Psychoacoustics is ideal for students of music technology, sound recording, traditional music and acoustics, as well as engineers studying audio, multimedia and communications systems. Anyone who wants a practical understanding of how real musical sounds behave and are perceived in real spaces, will find this an accessible and interesting read. Subjects featured include: 7 Principles of sound 7 Human hearing and psychoacoustics 7 Musical timbre, pitch and loudness perception 7 Sound generation in musical instruments 7 Sound in different environments (architectural acoustics) 7 Processing sound electronically The book's second edition provides new material on wave motion, brass and woodwind instruments, forward and backward masking, an introduction to coding, and diffusion. Additional references and marginal notes explaining basic terms are provided to aid understanding. Supporting website: http: //www-users.york.ac.uk/~dmh8/AcPsych/acpsyc.htm Visit the book's supporting website, designed by author David Howard, for additional resources: 7 Questions and exercises to test your knowledge 7 Web links for further resources and research 7 Audio clips 7 Calculation facilities (eg. adding decibel values and converting between frequency ratio and cents/semitones) The website can also be reached via www.focalpress.com Professor David M Howard lectures on music technology at the University of York's Electronics Department. His research interests includethe analysis and synthesis of music, speech and singing, human hearing modelling and the use of computer displays in voice teaching. He is an active organist, choral singer and choral conductor.

The Guerilla Guide to Performance Art is the ultimate guide for artists, at all stages of their careers, who are engaged in creating original performance and multimedia work, including hybrids of theater, visual art, installation, physical theater, dance, CD-ROM and web design. It covers all aspects of artist support including starting up a company, funding, multimedia tools, and documentation and marketing, and incorporates a useful Yellow Pages section with contact information for production, funding, venues, galleries, publications, festivals, printers, equipment hire, technical support, artists organizations, performance archives, copyright offices and software support. The book is lavishly illustrated and includes interviews with major artists and directors of some of the leading artist support groups in the UK and US. There are also illuminating case studies address practical questions and offer indispensable insights into how to succeed in the performance arts.

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